Age/Gender: n/a, Male
Location: Toronto, ON
Job: Student
Feel free to PM me if you want to see the scores to any of my music.
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All Audio Reviews
76 Reviews | 39 w/ Responses
I liked the oboe or whatever that was about 1 minute in. It made for a nice ending.
You have some fairly good ideas in here. The biggest thing I would suggest is to change the pitches of some of those fast notes when you have a different long note playing in the bass rather than keeping them exactly the same throughout the whole piece. That would avoid the dissonances, create more logical harmonic progressions and would sound nicer (to my ears anyway).
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I probably wouldn't call this classical, but then I'm not exactly sure what else to call it! Anyway, it's a pretty appealing piece. The harmonies were quite interesting, and the sound texture especially was very good. The only thing I didn't really like was the constant repetition of the piano part - I wish there was some more variety, but I can understand that it's part of the style. I just don't happen to like that particular stylistic element (which I often also hear in rap songs).
Come review my latest piece if you have the time. ;)
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Even though I have nothing really to say (other than that I'll buy a CD of your music if you ever release one, seriously), it would be criminal to keep quiet about something this good.
I'd listened to this piece before in two parts, and I must say that it loses a lot by being broken up like that. I love the energetic first half, but this time around I found that the melodic second half was like a drink of fragrant water (an effect which I simply didn't get by listening to it separately). The melodies there are sweet and memorable, and exactly what is needed at that point in the piece.
The prime thing missing from this (as good as GPO is) is the human touch. I really hope that you can get an orchestra to play this overture some day. It would be a real loss if it didn't happen.
Although it's a minor point, I liked the little "ending after the ending" thing that you had there. It made me smile. :)
Sorry about not replying to your message... I've been quite busy lately, and haven't really had the time to think. Come December... things should start moving again. But do check out my latest submission if you have the time. I'd really appreciate any input you have to give, even if it's of the most banal sort.
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Here's your main problem, I think: the sound quality stinks. That's probably a big part of the reason why the score was 1.90 with 5 votes (although judging by the score of my own recent submission, many people who browse the classical section don't actually like classical music, or perhaps they just vote 0 to strike down competitors). Anyway, if you want, you can send me the MIDI file and I'll try to create an mp3 that actually sounds a little more listenable. :)
As for the piece, it seems pretty nice to me. Some fairly nice harmonies, good melodies, good development. I thought there could've been a bit fewer dissonances in the first half, but that's personal taste. ;p
Author's Response:
hey thanks for the review. the wierd this is, I was listening to your music right when you sent this review. no joke but anyway I use finale song writer to create mp3's and i know finale is not the best for this.
I dont think you can fix the sound because finale uses two files" BAK files and Finale Notation files" and i am not sure what those are or if they are fixable.
but its true that people dont respect this kind of music. the second they see "classical song" they vote 1 or 0.
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Sorry I haven't been reviewing your songs much lately, Maestro. To be honest, I find it pretty difficult to give proper reviews to songs which really deserve a thorough analysis. I have the same problem with reviewing Simon-F's submissions. But be that as it may, I'll just try to give some of my first general impressions.
First of all, I thought that the ending was appropriate. I also loved those angry voices that you used at certain points in the song. How did you do those?
The piece overall was a bit of a mixed bag for me. On the one hand, I love some of the subtle sound effects that you managed to achieve. Sound design seems to really be your strong point. And it had some very effective moments. On the other hand, I ended up feeling slightly bored in certain parts. The middle, in particular, I felt could have used some more energy. You had those angry voices yelling every so often, which was good, but everything else was pretty slow and mellow. Some more energetic drumming or faster melodies (though I notice you don't seem to do those much) in the middle would have been wonderful. Also... the melodic progression was sometimes a little unclear, although this could be my fault for not noticing it.
Unfortunately, the piece as a whole seemed a little static to me; there was little to move it forward harmonically or rhythmically. Despite the occasional spark of energy, it didn't really go anywhere. Your sound design is brilliant, but I feel that here you focused on sound design (which is definitely important) at the expense of the harmonic and rhythmic aspects, which are at least as important. If your song still sounds good as a crappy MIDI file, you'll know that you've succeeded. ;)
Anyway, it's still a nice song overall, hence my score. But I think there's some room for improvement. :)
Author's Response:
the angry shouts are a patch from the VST library Symphonic Choirs. There are four patches, Bass, Soprano, Alto, and Tenor shouts. These are bass shouts, as they depict soldiers best imo.
Yes this song is slow, and mellow throughout, because the underlining emotion I wanted to highlight at all times, was sacrifice. The story used for it is the telling of their youngest warrior, to the older, disabled older brother. Who was unable to join the fight with his younger brother due to his limp leg *the older brother is the bassoon, and the younger brother here is depicted as the panflute*.
"The fight was great, the fight was bitter, and though his youth kept his fear close, your brother kept his wits closer. Slashing, tearing, fearfully running into the enemy, one at a time."
The telling of his story begins when the panflute plays softly, this is where the news is brought out, your brother has not returned with us. When it becomes more aggressive, the slow motion story of his slashing hopelessly against wave after wave of enemies, taking hits, arrows, and hammers on an already battered, and partly broken body unfurls.
The arpeggiated brass depicts a scene where the general, close friend of the boy runs to his dying side, screaming "DON'T GO! STAY WITH US!" the choir that joins them shortly after, depicts him holding the young lads head close to his heart, screaming at the heavens.
With the angry screams that follow, they are back. The panflute, the memento of his brother given to the older.
I did not intend to go that much into detail ESN, but I hope it helps you understand why I did what I did. So many times I felt it was the perfect place to break off and bring in some fire, but every time I chose against it.
Thank you for the review, i'm glad you liked it! I apologize for the late response!
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I can't help but visualize a film in my head as I listen to this. I know that it's meant to symbolize the calm feeling of raindrops falling against a windowsill, and the harsher sound in the middle represents the occasional gusts of the storm. And yet somehow, I think it would suit a Christmas-themed flash very well. I even have a scenario in mind. It's too bad I don't know how to use the program. :)
Perhaps I shall learn, some day...
Author's Response:
Awww, man! You got my hopes up! Oh well.
Heh, thanks for reviewing!
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...even though you marked it as "song". Well, I think that the build-up and middle section and everything are pretty effective. I could see this being used in a video game in some kind of foreboding level.
The only problem is, I don't see why this is in the "classical" section. It doesn't sound classical at all to me.
Author's Response:
Hey, I'm glad you like it. It's in the classical because the genres here suck. Anyway, yeah it could be used (like 5 seconds of it) when a main character is like going around a corner or something. CHeers!
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I just love this piece. Can you believe that it almost brought tears to my eyes?
You have incredibly effective harmonic progressions, wonderful melodies, and a great sense of purpose. You're definitely on my list of "best composers on Newgrounds" now.
Also, if I may ask a question... I've never heard that "soft piano" sound before. How did you make it sound like that?
Author's Response:
Thanks for the compliment man. Means a lot to hear praise like that.
I use GarageBand, a program for macs. The Orchestra Steinway Piano comes in the rather steeply priced orchestral Jam Pack. I got the effect be lowering the note velocity to about 30 and then i drowned it in reverb.
Seriously, thanks for reviewing. Also, thanks for faving!
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This is a very compelling piece! I love the harmonies and the soft dynamics in it. Interesting middle section, too.
Overall, this is simple a great thing to listen to. I'll have to check out your previous movements!
Author's Response:
Thanks for reviewing, man. Glad to hear you liked it!
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A very nice, slow piece. Pretty good progression. Simple harmonically and rhythmically. Quite pleasant overall, although the sheer amount of instruments playing chords got to be a little too much at times (particularly toward the end).
Author's Response:
Thanks! The progression was inspired, I think, by the theme to You Only Live Twice, then I fiddled with it. Too many instruments is a hallmark of my work, I prefer to think of it as "growing elegance." XD
Thanks for the review!
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