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Age/Gender: n/a, Male
Location: Toronto, ON
Job: Student
Feel free to PM me if you want to see the scores to any of my music.
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All Audio Reviews
79 Reviews | 41 w/ Responses
As the guy below me said, it's pretty repetitive. Make it more interesting by having the piano part develop instead of just repeating the same thing over and over. Oh, and make the strings louder; I can barely hear them right now.
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This is one of my favourite pieces. The ABA structure works as a great framework, and I love the melodies and harmonic progressions. There is also so much going on in terms of variety of instrumentation, so many interesting and skillfully-employed combinations, that if one starts to mentally separate the different parts a pretty complex picture emerges. But it is a complicated puzzle that fits together like a glove; it is very easy for the oblivious casual listener to simply sit back and listen to this in tranquil enjoyment. It all "just works".
Thank you Simon.
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00:00-00:16 - excellent start. Catchy melody, emboldening and interesting accompaniment.
00:16-00:32 - repeat with another pattern behind, also very interesting. Nice progression.
00:32-00:40 - a bit of a loss of energy here...
00:40-00:45 - picks up nicely
00:45-00:49 - I would've liked more of a contrast here - even more peaceful before the resumption of energy at
00:50-00:55 - I liked this section
00:55-1:09 - I guess this is the transition into theme 2... it's ok, though it sounds a bit too much like the beginning of a new theme for me
1:10-1:20 - a nice theme 2
1:21-1:53 seems like a repeat of 00:17. I would've liked to hear theme 2 develop more before repeating that; we only heard it once...
1:55- theme 2 again
2:17 - it seems like it's going into theme 1 again, but you actually cleverly make it go back to an inventive and interesting extension of theme 2. It goes through some interesting key (I'm not sure which) before going to the conclusion. I would've liked to see this extension the first time around in the middle of the piece, since I feel the first introduction of the second theme was far too short for comfort.
Really, the piece has a bit of an odd structure, and isn't quite as balanced as it could be...
However, you suck less than me (see my comment on your recent news post), so take my opinion with a grain of salt. :)
The playing (if playing it was) was quite beautiful, and the sound quality is great.
Author's Response:
Excellent review, probably one of the best I've gotten. I will take this stuff into account. Thanks a ton!
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Slavic languages are so alike. I speak Russian, yet I understood the song. Many of the words are "old Russian" words that aren't used often in Russian except in songs and poems, and some of the grammar is odd, but the roots of the words are all the same.
Anyway, the singing here was beautiful. Just excellent.
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The composition and playing themselves are very good, but the sound static in the recording is quite distracting. I think you should look into a way of getting rid of at least some of it... I'm sure there's some way to do it in certain programs.
Author's Response:
I've tried. Nothing really works on getting much static out.
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I can't really find any faults with this one, other than wishing it were longer. I even like the "piano from backstage" sound. Great harmonies, great melodies, great instrumentation. Fun and pleasant to listen to. What is there to say? This is definitely one of your miniature musical gems.
Author's Response:
Lol, miniature indeed.
Thanks, man.
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That was pleasant and interesting to listen to through its whole duration. You had pleasant harmonies, interesting rhythms, and made good use of different instruments, weaving passages in and out. The only thing I wished for was an actual ending instead of a fade-out.
On the whole, though, excellent work here.
Author's Response:
Lol, i don't like this one as much. It seems too sparse.
I love thick harmonies.
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There's nothing wrong with the basic structure in this piece and there are some great individual sections (I like the 1st 10 seconds and 1:35 to the end especially). But overall, I get the feeling that you need to spend some more time refining it. The middle section, while having a great melody and accompaniment texture, for the most part doesn't have working harmony. It does come together sometimes - such as from 1:07-1:13, but often the bass and staccato strings sound like they're accompanying a different melody line entirely.
One other thing: referencing the second section at the very end isn't a bad idea at all, but doing it so plainly and so obviously (without changing it or adding anything new to it) feels somewhat artificial and hasty to me. It feels more like it was stuck on there than a natural progression from the previous passage (just my opinion, of course).
So overall, it's a promising piece, but not one of my favourites.
Author's Response:
Thanks for the suggestions. I'ma gonna start going back over and working out the kinks now.
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I haven't been keeping up with the Audio Portal lately, so it's been a while since I've heard any of your pieces. The last time I remember listening to some, they were very heavy and dramatic, so this seems to be quite a stylistic change. Congratulations, because it was pulled off brilliantly. This composition is very understated, peaceful and just plain lovely.
There are only two very small things that I personally didn't like - one was a something-like-30-second section in the middle (somewhere around the two-minute mark) which was a bit too repetitive for my taste. Another is the ending, which I think faded away too abruptly. If the fade was 3-4 times longer, I think that might've worked better... (yes, it's funny that MJTTOMB is saying the opposite... but I wouldn't mind an actual ending either. I just think that if there's going to be a fade, it shouldn't be such an abrupt one)
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Nice variety, good build-up, good use of main theme in different variations. Fun and pleasant to listen to. The one thing I would have suggested is to have that brass instrument that goes "Do-La" periodically continue on and play a melody at some point instead of always not playing anything after that.
Author's Response:
well, it's a french horn, and it goes further without gliss but you don't here that... you only hear the glissando
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